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Brian Wilbur Grundstrom

  • classical
Member Since February, 1994
Washington, District of Columbia
Genre:
classical
Biography:

BRIAN WILBUR GRUNDSTROM'S compositions for film, orchestra, musical theater, chorus, piano, and chamber ensembles demonstrate an innovative use of harmony and melody, which although firmly rooted in the tonal tradition is entirely new. Audiences take to his compositions immediately, finding in his compositions traces of Aaron Copland, Kurt Weill and Samuel Barber.

Recent Works: 

OrchestraContentment, Poem for Orchestra (1999) 11:20m (2222,4331,timp,perc,hrp,strings)A lyric poem for medium orchestraJubilation! Dance for Orchestra (2000) 8:45m (3333,4331,timp,xyl,vibr,mar,perc,strings) (George Washington University Orchestra, Nancia D?Alimonte Director, Lisner Auditorium, Washington DC, November 19, 2006)Jubilation! is an exciting dance in 5/4 for full orchestra, climaxing with a big energetic ending.American Reflections for Strings and Harp (2009) 12:00m (v1 solo, v2 solo, va solo, vc solo, harp, strings)(SONOS Chamber Orchestra, Erik E. Ochsner Director, Good Shepherd Church May 12, 2009, Merkin Concert Hall, NYC May 13 2009, First Baptist Church of White Plains May 16, 2009)Suite for Chamber Orchestra (fl,ob,cl,bn,hn,tmp,strings)(The Entire Suite performed by NIH Philharmonia, Nancia D?Alimonte Director, St. Elizabeth Catholic Church, Rockville MD, October 20, 2007)I. Before the Fall! (2001) 10:45m (Trinity Chamber Orchestra, Richard Fazio Director, October 15, 2006, St Ann's Church Washington DC)Before the Fall! was almost completed before that defining moment of September 11th, yet there is a dark side to the piece that seems to forebode. Coincidentally, the title also portrays the sense of loss felt as summer fades away and the anticipated dread of the cold and dark as winter approaches. In some sense, the events that shape our world are just as seasonal and uncontrollable as the weather.II. Avalon (2002) 11:30m Avalon is the mystical island of healing that King Arthur went to after his battle. This piece represents the slow and necessary healing process following a dramatic event. Mysterious and epic sounding, Avalon has a freestyle beginning with interjecting little motives -- then transitions and builds upon these interjections to a steady and foreboding feel with string pizzicato. The color and character changes subtly as the piece slowly climaxes and relaxes.III. Celebration! (2002) 8:30m (SONOS Chamber Orchestra, Erik E Ochsner Director, Trinity Church, NYC 2003, February 2003) (Trinity Chamber Orchestra, Richard Fazio Director, Trinity Theater, Washington DC, January 2005) (Festival Chamber Orchestra Series, Dr. Blaine Shover, Artistic Director, Shippensburg PA, July 2005) (Holyoke Civic Symphony, David Kidwell, Artistic Director, Holyoke MA, May 2008)Celebration! deals with the joy and celebration of life that we need to express after coming to terms with the darker side. With all its excitement and vigor, as well as its interesting unexpected turns, Celebration! makes a great concert opener!!! Theater"Fugue Series" (2008) 35 min underscoreCommissioned by The New Zenith Theatre for the New York International Fringe Festival. Written by Robert Barnett and directed by Ed Wierzbicki Pepe: The Mail Order Monkey Musical (2009) 45 min2009 Capital Fringe Fringe Festival - Lyrics by Jon Gann and Andrea King www.pepelives.comAlso Music Director of production and Recording Engineer of cast recording. FilmLiability (2010) Tohubohu Productions/William R. CoughlanSmithsonian Recruitment Video (2009) by Sonnett Media Group/Dan Sonnett Number One with a Bullet (2009) Tohubohu Productions/William R. CoughlanPlease Forward (2009) 48 Hour Film Project 2009 DC Best of Selection/Audience Award) Tohubohu Productions/William R. CoughlanThe Intruders (2008) additional music (Evan Evans)Convergence (2007) 60m by Zero Point Productions/Gary Wheeler & John StrawbridgeSadie's Waltz (2007) 20m by Mobius Films/Edward R. TyndallDeconfliction (2007) 13m by Mobius Films/Edward R. TyndallPay Your Dues (2007) 7m (Best of 48 Hour Film Project 2007) by Tohubohu Productions/William R. Coughlan2 Minutes Later (2007) 30m (70m film) by Robert GastonMilind Soman Made Me Gay (2007) (20m film) by Harjant GillThe Pride of the Maasai Mara (2007) (6m music & film) by Sonnett Media Group/Dan SonnettA Tree Grows in Brooklyn (2007) short by Attey Production/Yetta MyrickFour Seasons (2007) short by Ahreum KimThe Tea Party (2006) 5m by Attey Production/Yetta MyrickThe Mane Attraction (2006) 3m (National Film Challenge) by Sonnett Media Group/Dan SonnettMachinations (2006) 5m (Winner, Best Sci-Fi National Film Challenge) Tohubohu Productions/William R. CoughlanA Date With Dennis (2006) 6m by Director Taylor BurnsReunion (2006) 12:30m (26m film) by Director Andy BelyDream Sequence for Smallville (2005) 1:35m ASCAP/NYU Buddy Baker Film Music Workshop OrchestraChamberSuite Remembrance (2007) (Clarinet, Bassoon and Piano) I. Seduction 3:45m (Angela Murakami, Robin Gelman, BWG, Kennedy Center, November 27, 2007) II. Langsyne 0:58m III. Grander Days 1:23m IV. Dream Waltz 2:16m V. Distant Memories 4:36m(Brian David Jones, Ben Williams, Laurie Vivona-Bunn April 16, 2009, George Mason University, VA)Music II for Wind Quintet (2005) 15:05m (Fl, Ob, Cl, Hn, Bn) (Trinity Chamber Players, Oakton and Alexandria, VA, June 2005 and professionally recorded by Steve Antosca) (Ensemble A la Carte, The Westchester, Washington DC, July 17, 2006) (Kennedy Center, A la Carte, November 27, 2007) (Chamber Music by Candlelight/Baltimore Sym. Orchestra musicians, 2nd Presbyterian Church, Baltimore, April 25, 2010)Music for Piano Solo II has been orchestrated into a fun lively piece for winds.Benefit of Going to Law (2004) 4:45m (Guitar and Soprano) J. Andrew Dickenson and Yeonjune Suh on November 9, 2005 and July 11, 2005 Harlie Sponaugle and Warren Zwicky Friday Morning Music Club November 9, 2007 and Kennedy Center, November 27, 2007This intimate song presents the wit and humor of Benjamin Franklin, received Encore Performance Incentive award with J. Andrew Dickenson from the American Composers Forum ChoralMy Letter from Carl (2007) 9:00m (TTBB Chorus, Piano and Oboe) Lyrics by Joseph ShapiroCommissioned for the New Jersey Gay Men's Chorus and Director Steven A Russell, Carl writes his dear friend Joey to tell him how much he is missed. (New Jersey Gay Men's Chorus, Unitarian Universalist Church, Titusville NJ, June 15, 2007) (New Jersey Gay Men's Chorus, Crescent Avenue Presbyterian Church, Plainfield NJ, June 16, 2007)How I Found Sam (2006) 7:00m (TTBB Chorus and Piano) Lyrics by Jim SkofieldFun and upbeat, commissioned for San Francisco's Colla Voce. (Colla Voce, Steve Ng Director, Fairfield Center for Creative Arts, Fairfield CA June 11, 2006) (Colla Voce, Steve Ng Director, St John the Evangelist Church, San Francisco CA July 9, 2006) (Colla Voce, Steve Ng Director, Salle Pierre-Mercure, OutGames, Montreal, August 1, 2006, sold-out)Tessitura Mission Statement Chorus (2005) 3:33m (SATB and Piano) Commissioned for the Tessitura Network annual conference in Boston, a thirty member volunteer chorus sang the network's mission statement set to music, under the direction of BWG. (Tessitura is a performing arts organization software.) (2005, 2006 & 2007 Annual Conferences in Boston, Toronto and Tucson)Simple Town (1997) 9:00m (TTBB Chorus and Piano) The joys of growing up gay in rural America.PianoMusic for Piano Solo I (1985) 6:30m (Gettysburg College, Gettysburg PA 1985) A short lyric atonal piece for piano soloMusic for Piano Solo II (1990) 16:00m Using all 88 keys, this upbeat melodic journey explores different tonal centers and textures, including a "hoedown" performed by Guy Livingston in his "One Minute More"Music for Piano Solo III (1994) 12:00mThis tonal piece is defined by its melodic landscape. Pianist Craig Randal Johnson received a Performance Incentive Fund from the American Composers Forum to perform this work.Music III for Two Pianos (1995) 13:00m (performed with Jay Egelberg, Steinway Hall, NYC 1996) (Shiphrah Meditz, Cameron Dennis, Kennedy Center, November 27, 2007)Music for Piano Solo III is orchestrated with plenty of counterpoint to make a lively jubilant piano duo. Music for Piano Solo IV (Crystalline Textures) (1996) 12:30m (Steinwall Hall 1997) (Ruth Rose, Kennedy Center, November 27, 2007)A response to minimalism, Crystalline Textures was written as an exercise in "transparent" or "crystalline" textures.HonorsFinalist for Outstanding Emerging Artist, 25th Annual Mayor's Arts Awards, Washington DC (2010)Nomination, 2009 OUTmusic Awards, New York CityPeer Award for Sadie's Waltz from Television, Internet & Video Association of DC (TIVA-DC)Artist Fellowship D.C. Commission on the Arts and Humanities (2006, 2008 and 2010)ASCAPlus (2007,2008,2009)Composers Assistance Program from American Music Center (2007,2009)Encore from American Composers Forum (2005)Outmusic Nomination (2009)

Artist Statement: 

Approach to TonalityWith so much of our collective musical experience being tonal, I believe it is important to use tonality in order to communicate effectively. However, because it is ever present there exists a challenge to maintain interest: as composers we must write within the confines of the possible yet not completely inside of the expected. Being creative with tonality is therefore essential in creating music that is not only understood, but also interesting. I understand the essence of tonality, the relationship of tonic to dominate as well as fa to mi and ti to do. These essentials guide my composition, and they are present even though I do not write with a key signature. The absence of a key signature gives me the freedom necessary to use tonality in more interesting ways, letting my ear guide my music along its path. This is how I have addressed the issue of capitalizing upon the musical knowledge of the public, while at the same time providing something less predictable.

District of Columbia
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Jack Parton

  • classical
Member Since July, 2011
Chicago, Illinois
Genre:
classical
Biography:

Jack Parton studied composition at Peabody Conservatory under Jean Ivey, Robert Hall Lewis, and Chen Yi. Moving to New York City in 1999, Jack spent a year as Assistant Producer at Live From Lincoln Center before becoming Principal Orchestra Librarian for the American Symphony Orchestra under Leon Botstein for seven years. Besides composing, Jack sings bass and countertenor, performing professionally with such early music groups as the New York Collegium, Pomerium, Chicago Schola Antiqua, the Long Island Baroque Ensemble, and the New York Baroque Soloists.

Recent Works: 

Night Music (2011) – fl, Eng hn, alt cl, bsn, hn, tba, pno
Chaconne 4’
Scherzo 3’
Nocturne 4’
Cortege 3’

Metamorphoses after Sadao Hasegawa (2010) –
2+picc,2+CA,2+BC,2+CB; 4,2+picc,3,1; 1,4,hp,pno; strings – 11’

Sonata for Flute and Piano (2005-2010)
Recitative 4’
Allegro 5’
Lento 6’
Rondo scherzando 5’

Illinois
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Chin Ting (Patrick) Chan

  • classical
Member Since April, 2011
Kansas City, Missouri
Genre:
classical
Biography:

Raised in Hong Kong, the music of Chin Ting Chan has gained awards and recognition from the Interdisciplinary Festival for Music and Sound Art in Vienna, Soli fan tutti Composition Prize, American Prize, Mid-American Center for Contemporary Music, newEar contemporary chamber ensemble, New-Music Consortium, Portland Chamber Music Festival, and performances throughout the United States, Canada, Austria and Germany. He is pursuing a D.M.A. at the University of Missouri–Kansas City while serving as studio manager of the iMPACT Center and teaching courses in electronic music.

Missouri
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Richard Ford

  • classical
  • Music Theatre
Member Since April, 2011
Houston, Texas
Genre:
classical, Music Theatre
Biography:

Ford has been composing music for more than 25 years. He is Composer in Residence for the Houston Heights Orchestra in Texas and has had his music performed internationally. Ford specializes in composing music that is accessible, fun, bold, vivid, and full of movement for soloists, chamber groups, theatre, dance, and film. As a composer, Ford is known for memorable music for beginners and virtuosi alike that combines his love for pop, rock, musicals, and symphonic music into an appealing, joyful language.

Recent Works: 

Bolts of Melody for Vocal Soloists and Chamber Orchestra, Wet for String Orchestra, iCrime (film score), Austere for Piano Quintet and Percussion, Sunday at 5 String Quartet, and Halelegy (piano solo). He is currently at work on pieces for Wind Ensemble, Orchestra, and music theatre.

Texas
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Larry Bitensky

  • classical
Member Since October, 2010
Lancaster, Kentucky
Genre:
classical
Biography:

Born in 1966 in New York, and educated at Skidmore College, the New England Conservatory of Music, Ithaca College, and Cornell University, Bitensky?s musical personality is rooted in a range of influences. He often seeks to merge the complex structures and expressive range of the classical masters and the innovations of the 20th-century greats with the melodic and rhythmic invention and improvisatory flow of musical traditions from India, Indonesia, the Islamic and Jewish worlds, jazz, and the Grateful Dead.

Recent Works: 

FOR THEN AND NOW (2011)
for brass quintet
Duration: 8' 30" (2 movement)
Publisher: Silly Black Dog Music (ASCAP)

WE TREAD AND GO (2010)
for wind ensemble
Duration: 8' (1 movement)
Instrumentation: 2 + picc. (2 doub alto), 2 +Eng. Hn., 3 (3 doub. B. Cl). 2 / 2 alt. sax., 1 ten. sax., 1 bar. sax. / 4, 3, 2+ bass trb., 2 Euph., 1 / double bass /Timp./ 4 perc. / pno.
Publisher: Silly Black Dog Music (ASCAP)

AWAKE, YOU SLEEPERS! (2010)
Concerto for Trumpet and Orchestra
For John Hagstrom, Chicago Symphony Orchestra
Also available in version for Trumpet and Wind Ensemble (2002)
Duration: 17' (3 movements)
Instrumentation: Solo C trumpet + 2 + picc. (2 doub alto), 2 +Eng. Hn., 2 + B. Cl. (1 doub. Eb), 2 + Cbsn. / 4, 3, 2+ bass trb., 1 / 4 perc. / Hp./ pno. (doub cel.) / Strings
Publisher: Silly Black Dog Music (ASCAP)

EINSTEIN'S DREAMS (2010)
for orchestra
Duration: 15' (4 movements)
Instrumentation: 2 (1 doub picc.), 2, 2, 2 / 4, 3, 2 + bass trb., 1 / timp+5 perc. / pno. /synth./ str.Publisher: Silly Black Dog Music (ASCAP)
1. Goin? Up; 2. Flatland; 3. Meet the Beetle; 4. LightRide
THE CLOSING OF THE GATES (2009)
For Trumpet and Wind Ensemble
For John Hagstrom, Chicago Symphony Orchestra
Duration: 4' (1 movement)
Instrumentation: Solo C Trumpet + 2 (2 doub alto), 2 (2 doub Eng. Hn), 2 (2 doub B. Cl. / 2 alt. sax. (1 doub sopr.), 1 ten. sax., 1 bar. sax. / 4, 2, 2, 1 / double bass / timp., 2 perc./ pno (doub cel.)
Premiere: John Hagstrom, trumpet; the "President's Own" United States Marine Band -- Col Michael J. Colburn, conductor., 3/15/10
Publisher: Silly Black Dog Music (ASCAP)
LIGHTRIDE (2009)
for orchestra
Movement 4 from Einstein?s Dreams
Duration: 6' (1 movement)
Instrumentation: 2 (1 doub picc.), 2, 2, 2 / 4, 3, 2 + bass trb., 1 / timp+5 perc. / pno. / str.
Premiere: The Central Kentucky Youth Orchestra -- Kayoko Dan, conductor, 2/27/10
Publisher: Silly Black Dog Music (ASCAP)

WHAT WINTER DREAMT (2009)
for flute, clarinet, violin, cello, piano, and percussion
Duration: 12? (2 movements)
Instrumentation: fl. (doub alto), cl., vln., vc., perc., pno.
Publisher: Silly Black Dog Music (ASCAP)
1. Slowly; freely; 2. Slowly, without dragging

FROM THE CORNER ROOM (2008)
for piano
Duration: 15' (7 movements)
Publisher: Silly Black Dog Music (ASCAP)
1. suddenly flight; 2. the clouds were strange; 3. creep/pounce; 4. still waiting; 5. out of the toybox; 6. don't go there; 7. dah guhduh

Artist Statement: 

With their emotional intensity, directness, lyrical and sinuous melodies, and funky, polyrhythmic grooves, his works range from wistfully nostalgic, deeply sad, and evocative, to exuberant, playful and ecstatic.Bitensky's works have been recognized by numerous foundations and institutions: the Fromm Foundation, the Omaha Symphony, "The President's Own" United States Marine Band, the New England Philharmonic, the Saint Mary's University Kaplan Commissioning Project, the Big Ten Band Commission, the Princeton Symphony Orchestra, the Columbia Orchestra, Jabez Press, the ASCAP Foundation Rudolf Nissim Award, the Kentucky Arts Council, the Music Teachers National Association, the Kentucky Music Teachers Association, the American Music Center, the Joyce Dutka Arts Foundation, the Friends and Enemies of New Music, the International Trumpet Guild, the World Association of Symphonic Bands and Ensembles, the Modern Chamber Players, the Harrid Conservatory, the Society of Composers, Inc., Duquesne University New Music Ensemble, Ensemble X, and the ASCAP Foundation Young Composers Competition.Recorded on Mark Records and Sea Breeze Vista records, Bitensky's music has been performed by numerous ensembles and at various festivals around North America, Europe, and Asia. His music is published by Silly Black Dog Music.

Kentucky
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Christian James Kriegeskotte

  • classical
Member Since August, 2010
Pittsburgh, Pennsylvania
Genre:
classical
Biography:

Christian Kriegeskotte is a composer and conductor currently based in Pittsburgh, Pennsylvania.  He received his Bachelor of Fine Arts ('03) and Master of Music ('09) from Carnegie Mellon University, where his primary teachers included Nancy Galbraith, Leonardo Balada and Robert Page.  From 2003 to 2005, Mr. Kriegeskotte worked in feature film and television music production in Hollywood, California for JoAnn Kane Music Service.  During his tenure with Jo Ann Kane, Mr.

Recent Works: 

"Le Mat: XXII Arcana" — Eric Clark, Pianist
"Coptic Hymn" — Heinz Chapel Choir
"Doctor Faustus" — Resident Artists of the Pittsburgh Opera
"Tycho's Machine" — DePaul Wind Symphony

Pennsylvania
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Leo Soeda

  • classical
  • Rock
Member Since July, 2010
Long Island City, New York
Genre:
classical, Rock
Biography:
New York

Patricia Morehead

  • classical
Member Since December, 1997
Chicago, Illinois
Genre:
classical
Biography:
Illinois

Joshua Denenberg

  • classical
Member Since May, 2010
Cortlandt Manor, New York
Genre:
classical
Biography:
New York

Rachel DeVore Fogarty

  • classical
Member Since February, 2010
Nashville, Tennessee
Genre:
classical
Biography:

Rachel DeVore Fogarty is an emerging composer, church musician, and collaborative pianist. The current composer-in-residence for Schola Pacis, Ms. Fogarty’s work has been commissioned and featured by Schola Pacis, Millersville University, and the Concert Chorale of Nashville. She has had works performed by Sacra/Profana, Conundrum, Belmont University, Boston Metro Opera, Hiram College, the St. Pancras Church Choir of London, the Namaste Women’s Choir, the Festival Singers of Atlanta, St. Olaf College, and Hollins University.

Tennessee
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