Biography

Patrick Castillo leads a multifaceted career as a composer, performer, writer, and educator. His music has been described as “restrained and reflective but brimming with a variety of texture and sound that draws you into its world” (I Care If You Listen) and has been presented at festivals and venues throughout the United States and internationally, including the Chamber Music Society of Lincoln Center, Spoleto Festival USA, June in Buffalo, the Santa Fe New Music Festival, the Queens New Music Festival, Hot Air Music Festival, National Sawdust, Interlochen Center for the Arts, Bavarian Academy of Music (Munich), the Nuremberg Museum of Contemporary Art, and the Havana Contemporary Music Festival.

Recent season highlights include the world premieres of Living is easy with eyes closed for string orchestra and electronics, The Way Things Work for violin and cello, like the tide… for three flutes, To Hear You Tell It for flute, violin, cello, and percussion, and Oxford Alley for chamber orchestra; the German premiere of Cirque for solo violin; and the third New York performance of This is the hour of lead, a chamber cantata for mezzo-soprano and ensemble; as well as premiere performances of Patrick Castillo’s chamber works by Anti-Social Music, Areon Flutes, Cadillac Moon Ensemble, Ensemble 61, Forecast Music, the Interlochen Chamber Players, Quodlibet Ensemble, the Society for New Music, Third Sound, and others.

Patrick Castillo is variously active as an explicator of music to a wide range of listeners. He has provided program and liner notes for numerous concert series and recording companies: most prolifically for Music@Menlo, a chamber music festival and institute in Silicon Valley for which he served as Artistic Administrator for more than ten years. In this latter capacity, he has led a variety of pre-concert discussion events; designed outreach presentations for middle and high school students; and authored, narrated, and produced the widely acclaimed AudioNotes series of listener’s guides to the chamber music literature. Patrick Castillo has been a guest lecturer at the Chamber Music Society of Lincoln Center, for whose Late Night Rose series he serves as host; Fordham University; the University of Georgia; the Milwaukee Symphony Orchestra; the Chamber Music Festival of the Bluegrass (Kentucky); String Theory at the Hunter (Chattanooga, TN); and ChamberFest Cleveland. From 2010 to 2013, he served as Senior Director of Artistic Planning of the Saint Paul Chamber Orchestra. He is founding composer and managing director of Third Sound; in 2016, he was appointed Executive Director of Hotel Elefant.

Patrick Castillo holds degrees in music composition and sociology from Vassar College, where his teachers included Lois V Vierk, Annea Lockwood, and Richard Wilson. He has also participated in master classes with John Harbison, Alvin Lucier, Roger Reynolds, and Charles Wuorinen. While at Vassar, Patrick Castillo served as composer-in-residence for the Mahagonny Ensemble, a collective of performers specializing in twentieth-century music. His Requiem aeternam for mixed chorus and chamber ensemble, composed for the Mahagonny, was awarded the 2001 Jean Slater Edson Prize. He has also been the recipient of the Brian M. Israel Prize, awarded by the Society for New Music for his chamber work Lola.

The Quality of Mercy, an album of Patrick Castillo’s vocal chamber music featuring mezzo-soprano Abigail Fischer, has been praised as “affecting and sensitively orchestrated… [a] gorgeous, masterfully crafted canvas” (Cleveland Classical), and is available on innova Recordings.

0
false

18 pt
18 pt
0
0

false
false
false

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:10.0pt;
mso-para-margin-left:0in;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;}


For more information, please visit www.patrickcastillo.com.

Additional info

Selected Works List
Orchestral
Living is easy with eyes closed (2017) for string orchestra (min. 43221) and electronics
Oxford Alley (2014) for chamber orchestra (1202 2200 timp str [44321])
Two Chinese Folk Songs (2014) for orchestra (2222 4231 timp+3perc hp pf str)
Solo & Chamber Ensemble, Instrumental
Through the Panic (2016) for solo cello
The Way Things Work (2016) for violin and cello
To Hear You Tell It (2016) for flute, violin, cello, and percussion
like the tide… (2016) for flute trio
Incident (2014) for violin and piano
Dreamers often lie (2014) for violin, spoken word, and electronics
Music for the Third Place (2012) for violin and electronics
Incident (2011) for cello and piano
Two Pieces after Grass (2009) for tenor saxophone and electronics
Cirque (2006) for solo violin
Lola (2001, rev. 2004) for flute, clarinet, violin, cello, and piano
Recipient of the 2005 Brian M. Israel Prize, Society for New Music
Chamber Ensemble with Voice
The Conversation of Prayers (2012) for soprano, flute/alto flute, cello, piano, and percussion
Set me as a seal upon thine heart (2010) for voice, violin, and electronics
The Quality of Mercy (2009) for mezzo-soprano, flute/alto flute, clarinet/bass clarinet, violin, cello, percussion, and electronics
This is the hour of lead (2007, rev. 2014) for baritone/countertenor or mezzo-soprano, flute/alto flute, string quartet, piano, and percussion
Choral
Diaries of Exile (2015) for mixed chorus (SATB), two violins, cello, organ, and electronics
Evocation (2007) for mixed chorus (SATB) and cello
A Piece of Coffee. (2006) for mixed chorus (SSAATB)
That Crieth (2005) for mixed chorus (SATB)
Two Songs for Christmas Eve (2005) for mixed chorus (SATB)
Prayer of St. Francis (2001, rev. 2003) for mixed chorus (SATB)
2005 Nuvovox Choral Award finalist, Diana Barnhart American Song Competitions & Conference
Requiem aeternam (2001) for mixed chorus (SATB) and chamber ensemble
Recipient of the 2001 Jean Slater Edson Prize for Music Composition
Film & Media
The Skull (2015), a film by Graceann Dorse (original music and sound design)
Shout (2015), web video produced by NYC Pride (original music)
Hell House, LLC (2015), a film by Stephen Cognetti (original music and sound design)

0
false

18 pt
18 pt
0
0

false
false
false

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:10.0pt;
mso-para-margin-left:0in;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:”Times New Roman”;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;}

For more information, please visit http://www.patrickcastillo.com.

Additional info

Selected Works List
Orchestral
Living is easy with eyes closed (2017) for string orchestra (min. 43221) and electronics

Oxford Alley (2014) for chamber orchestra (1202 2200 timp str [44321])

Two Chinese Folk Songs (2014) for orchestra (2222 4231 timp+3perc hp pf str)

Solo & Chamber Ensemble, Instrumental
Through the Panic (2016) for solo cello

The Way Things Work (2016) for violin and cello

To Hear You Tell It (2016) for flute, violin, cello, and percussion

like the tide… (2016) for flute trio

Incident (2014) for violin and piano

Dreamers often lie (2014) for violin, spoken word, and electronics

Music for the Third Place (2012) for violin and electronics

Incident (2011) for cello and piano

Two Pieces after Grass (2009) for tenor saxophone and electronics

Cirque (2006) for solo violin

Lola (2001, rev. 2004) for flute, clarinet, violin, cello, and piano
Recipient of the 2005 Brian M. Israel Prize, Society for New Music

Chamber Ensemble with Voice
The Conversation of Prayers (2012) for soprano, flute/alto flute, cello, piano, and percussion

Set me as a seal upon thine heart (2010) for voice, violin, and electronics

The Quality of Mercy (2009) for mezzo-soprano, flute/alto flute, clarinet/bass clarinet, violin, cello, percussion, and electronics

This is the hour of lead (2007, rev. 2014) for baritone/countertenor or mezzo-soprano, flute/alto flute, string quartet, piano, and percussion

Choral
Diaries of Exile (2015) for mixed chorus (SATB), two violins, cello, organ, and electronics

Evocation (2007) for mixed chorus (SATB) and cello

A Piece of Coffee. (2006) for mixed chorus (SSAATB)

That Crieth (2005) for mixed chorus (SATB)

Two Songs for Christmas Eve (2005) for mixed chorus (SATB)

Prayer of St. Francis (2001, rev. 2003) for mixed chorus (SATB)
2005 Nuvovox Choral Award finalist, Diana Barnhart American Song Competitions & Conference

Requiem aeternam (2001) for mixed chorus (SATB) and chamber ensemble
Recipient of the 2001 Jean Slater Edson Prize for Music Composition

Film & Media
The Skull (2015), a film by Graceann Dorse (original music and sound design)

Shout (2015), web video produced by NYC Pride (original music)

Hell House, LLC (2015), a film by Stephen Cognetti (original music and sound design)

-->