Category

Jfund

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“My Brain Is a Definite Patchwork”: JFund Awardee Shelley Washington

Written by Michael Cyrs. On their 2015 album Dysnomia, Dawn of Midi created something for jazz, clas...
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BIG Talk, Dawn of Midi, Dysnomia, Jerome Fund for New Music, JFund, saxophone, Shelley Washington, Silk
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JFund Awardee Martin Nevin and the Inexpressible Merits of Solitude

Written by Michael J. Cyrs “Certain things for me are very hard to express with words,” explains JFu...
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Anna Akhmatova, Jonathan Creasy, Marfa, Martin Nevin, Shakespeare, Tenderness is Silent
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Joel Mellin and the Intersection of Human Sensory Experience

Written by Michael J. Cyrs On Björk’s audiovisual LP Biophilia, the Icelandic singer wore numerous m...
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Balinese music, Biophilia, Bjork, Flora Sensoria, gamelan, JMSL, Joel Mellin, Sudden Industries
NY)

Metal Aether by JFund Awardee Lea Bertucci Is One of the Most Compelling Experimental Records of the Year

by Michael J. Cyrs The setting: A concrete WWII-era bunker. The studio: Abandoned corridors of metal...
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Lea Bertucci, Metal Aether
NY)

JFund Awardee Will Healy Doesn’t Sacrifice Virtuosity for Enjoyment

by Michael J. Cyrs Will Healy has been playing piano for most of his life. The evidence is all over...
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CityScapes, ShoutHouse, Will Healy
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JFund Awardee Michael Betz on the Dichotomies Between Concept and Composition

People like Michael Betz don’t settle for one of two sides of the coin. Just because you choose to f...
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ChucK, Commodore 64, cyberpunk, Emergence, Enclosure, Michael Betz, St. Olaf University, Tombeaux
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JFund Awardee Samuel Wells Uses Electronics but Retains Human Element

written by Michael J. Cyrs. Many sounds we hear in everyday life are no longer created the way they...
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Barbara Kingsolver, Jerome Foundation, Samuel Wells, Splice, The Lacuna
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JFund Awardee Leaha Maria Villareal on Collaborative Relationships

Written by Michael Cyrs. There are perks to playing music as a group. On top of taking cues and perf...
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Adara Meyers, Happy Days, Hotel Elefant, Leaha Maria Villareal, Samuel Beckett, The Bell for Waking_The Bell for Sleep, Vanessa Langer
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JFund Awardee Joseph C. Phillips and Genre Fluidity

Written by Michael J. Cyrs. “America is a great place. But it’s also not so great. You can have thos...
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Changing Same, Jerome Foundation, Joseph C. Phillips, Numinous, The Grey Land
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From Moby Dick to Salvador Dali, JFund Awardee Brian Petuch Is Narratively Limitless

written by Michael J. Cyrs In 1845, when expressionism was decades away from being an identifiable m...
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24 Hours, Brian Petuch, Herman Melville, JMW Turner, Moby Dick, The Pequod
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Heath Mathews: Harmonies and Hendrix

  by Tim Hansen   2012 JFund recipient Heath Mathews draws from a broad palette in the cre...
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Reimagining the Accessibility of Classical Music: JFund Awardee JP Merz

written by Michael J. Cyrs At many classical music performances, concertgoers place themselves at th...
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JP Merz, Liquid Music, SEAMUS
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JFund Awardee Brian Mark: Experience History As It Happens

by Michael Cyrs “I love the art of film music, but I’m not at all into defining labels when it comes...
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Alice Vogt, beautiful, Breathe, Brian Mark, Dark Elegy, film music, Invocation, Lucid Dreaming, Mourning, multimedia, towers, Tuesday, We Interrupt This Broadcast
2017 JFund And MECA Winners|2017 MECA Winners|2017 JFund Winners

Composers Selected for 2017 Jerome Fund for New Music & Minnesota Emerging Composer Award (MECA)

  SAINT PAUL, MN – The American Composers Forum is pleased to announce the results of two progr...
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M. Lamar: Bodylessness and History as Told through Genres

JFund Profile by Michael Cyrs “Genre-defying” and “experimental” are words that critics enjoy tossin...
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Funeral Doom Spiritual, Hunter Hunt Hendrix, M. Lamar, The Lynching Suite
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Asuka Kakitani Conquers the Impossible Task of Representing Nature in Jazz

by Michael Cyrs Reality is rarely compartmentalized into the rigid structure of a three-minute pop s...
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Asuka Kakitani, JFund
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Steph Chou Makes a Smooth Transition from Jazz Saxophone to Multicultural Bliss on Last Year’s Asymptote

by Michael Cyrs In May of 1995, Taiwan lost a cultural trailblazer. Teresa Teng, then 42 and already...
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Asymptote, C for G, China, Prime Knot, Steph Chou, Susan Jaffe, Taiwan, Teresa Teng
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Aleksandr Brusentsev’s Quest to Explore Perspectives of Music and Art

Written by Michael Cyrs   Even if it’s with someone unquestionably genuine, verbal communicatio...
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Aleksandr Brusentsev, Jerome Foundation, Jerome Fund
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Clara Latham: Singing about Talking

written by Tim Hansen In the 19th century, the Age of Enlightenment, there was a great leap forward...
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Sean Harold: Unintentional Iconoclast

written by Tim Hansen Sean Harold In the email ping-pong prefacing this article, JFund awardee Sean...
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Yue Lor: A Disappearing History

written by Tim Hansen The Vietnam War. An international clash of ideologies fought in the theatre of...
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James Everest: The Natural Collaborator

written by Tim Hansen When JFund awardee James Everest was three years old, he composed a thundersto...
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Tiffany Skidmore: Vocalist Composer

written by Tim Hansen Tiffany Skidmore “My music is almost always several times removed from its ins...
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Jascha Narveson: Small ‘e’ Electronics

  written by Tim Hansen If one wants to gain an insight into a composer’s brain, reading their...
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